Contents of this e-book

Why to read this e-book?

Who is this book intended for?

How to learn to take pictures?

The advantages of this e-book

About the Author

Acknowledgements

Online appendix to this e-book

Disclaimer

Copyrights

Symbols used in this e-book and their meaning

Introduction - Let’s go on a photo trip together

TIP 1 - Stop being an owner of a camera

TIP 2 - Get rid of the automatic mode!

TIP 3 - Take pictures with the right lens

TIP 4 - Stand in the right place

TIP 5 - Concentrate on focusing the image

TIP 6 - Capture the motion in a photograph

TIP 7 - Make use of the properties of the aperture

Coffee Break

TIP 8 - Achieve the correct colour rendition

TIP 9 - Concentrate on the content of the photo

TIP 10 - Educate yourself!

Appendix 1 - Climb to the top of your photographic knowledge

Appendix 2 - Glossary of terms

What is Total Picture Control?

Who is this book intended for?

This book is intended for all the enthusiastic owners of digital cameras, regardless of their age and level of education.

It could be your first book about photography. My intention as the author - and a teacher of photography - is to encourage your interest in photography.

The ability to take pictures is a creative skill of a cultural educated person.

Why should I read this book?

In today's modern world of digital technology it is usual that you take into your hands a mobile phone, a smartphone, a tablet, a digital compact, bridge or a DSLR camera and you try to make a good photo.

You rely on the amazing abilities of the intelligent electronics. You have been convinced that "it makes photos itself!".

Despite the great advertising, the created photos do not meet your expectations. You are disappointed. You look for a way to make things right. You ask your friends, search on the internet, buy books.

Today's books about photography are full of amazing pictures, quick guides and guaranteed tricks to make perfect photos. Some authors offer a quick response: "Hey Scott, how should I take a picture of this flower?" - "Just look in the right way and do this with your camera..." They don't deal with explaining the basic concepts, they go straight to the point.

These authors have (unfortunately) already forgotten how they learned to make photos. They have forgotten how they obtained their particular abilities. They describe taking pictures as something natural. They say that "it is enough to have eyes", after all it's that simple. You are impressed by their instructions. You try their tricks but the magic disappears.

Once again you remain alone with these unanswered questions:

How should I get rid of the automatic mode?

What should I set up so that the photos meet my expectations?

In this book we will answer the questions that keep troubling a beginning photographer like you.

How to learn to take pictures?

Photography, like other skills of people, consists of sequential abilities, steps. These lead a person to his/her overall ability to create or control something.

How do you acquire these skills?

Just remember, for example, how you learned to ride a bike in childhood. At first you didn’t know where to put your feet, what to do with your hands, how to strike the pedals and maintain your balance and direction at the same time. You were falling, it was difficult for you. However, little by little you involved different activities of this skill into a whole. And suddenly, hop! You gained control of riding and started enjoying the speed and graceful movements. From that moment on you will never forget how to ride a bike.

Over some time, it is you who gives advice about cycling to a beginner and you wonder: “What does that clumsy one do with his/her legs? Why does he/she often lean on one side and loses his/her balance? I mean, riding a bike is so easy!”.

Now think of the tricks and tips of the authors of the books on photography that I have mentioned. Do you want to be able to take pictures? Just look in the right way and press the release, I mean, it's so easy! These authors have already forgotten how many little steps they had to do before they learned to take pictures. Today, it is nothing more for them than one complex skill which they control. And they wonder how come that the others do not understand it.

Do you understand now how learning works?

As a teacher of photography I can see the difficulties in making the first steps on a daily basis. Knowing how to gradually join these steps into a whole is difficult until the right moment comes and you'll suddenly know how to make a good photograph.

In this book I will give you tips on how easy it is to learn to take pictures in a step-by-step way. I will acquaint you with my method of teaching. It is simple, perhaps it will surprise you. It is based on remembering a few questions, on being able to ask them yourself always at the right moment and on being able to answer them correctly according to the situation.

I am offering you a step-by-step teaching method through which I have been successfully teaching the beginning photographers for five years. I have named this method the "Total Picture Control".

Find out how to get the content of your photographs under control.

The advantages of your first book about photography

- It makes use of all the possibilities of e-books and e-readers

- The text includes interactive links to the sources of information or to other locations within this e-book

- The interpretation of the professional issues is given in a form of simple questions and answers

- It includes practical illustrated instructions

- The examples and exercises are presented in a step-by-step way. Thus you can easily understand all the essential photographic techniques and procedures

- It includes an online illustrated appendix with photographs in high resolution

- It includes an online glossary of technical terms

- The method of interpretation and the difficulty of the explained issues are adapted to the - For beginning photographers

- This book is a part of a comprehensive edition of textbooks for all levels of photographic skills

About the Author

B. BoNo Novosad (1964)

A photographer, photography teacher and entrepreneur. He has been dealing with photography and photographic techniques since 1980. In 1988 he graduated from the Technical University with an engineering degree. Since that time he has worked as a freelance photographer. In 2008 he founded his School of Digital Photography where he works as a chief lecturer and a teacher of photography.

In 2010 he created a method of teaching photography and a series of textbooks on photography both entitled the "Total Picture Control".

Using this method he gives photographic classes and lectures and writes textbooks on photography. He works in Prague and Bratislava.

Acknowledgements

I thank my students for the questions asked during the courses and lectures. They help me to better understand the problems of the beginning photographers which contributed to the creation of the "Total Picture Control" method of teaching photography, as well as to the creation of this e-book.

B. BoNo Novosad

Online appendix to this book

I hold to the principle that the essential ability of a photographer is to express things through images. All the photos in this book are very important for understanding the studied issues.

The possibilities of some e-readers when displaying photos may be limited. Therefore, all the photos contained in this book can also be found in a special online appendix.

If your e-reader has a web browser, to visit the online appendix click here.

The online appendix can also easily be visited by entering this simple URL address in the web browser of your PC:

http://www.to-pi-co.com/fris-en

What will you find in the online appendix?

- All the photos in high resolution

- Photos with the true colour rendition

- Photos logically grouped into photo galleries

- Photos used in the illustrative examples and exercises are arranged in the step-by-step way

Other things you will find in the online appendix:

- Bonus photos which are not published in this e-book

- Photos showing the backstage preparation of examples and exercises

- Unique "behind the scenes" photos on which you can see and learn "how the things were photographed"

A short online glossary of technical terms

As a bonus I am offering you a short, online glossary of the technical terms that I use in the explanatory part of each of my textbooks.

The important terms and expressions in the text of this book are highlighted as interactive links to the online glossary. If you find a term or an expression in the text that is new to you, try to look it up in the online glossary on the website www.total-picture-control.com

If you want to visit the online glossary, just visit this short and simple URL address:

http://www.to-pi-co.com/glossary

The entries in the online dictionary have been carefully chosen and complemented by the appropriate photographs and illustrations in cooperation with our fellow graphic-designers and programmers. The entries are arranged according to the topic and level of knowledge.

Disclaimer

With respect to the situations that involve some degree of uncertainty or risk, read carefully the following warnings before purchasing this e-book:

Make sure that the level of your knowledge really meets the requirements stated above and that you can set and control the required functions on your camera.

In order to master the techniques successfully and to achieve the proper results of the practical exercises described in this e-book it is necessary that

your camera allows you to adjust the settings of at least the following basic photographic parameters:

- Sensitivity of the image sensor (ISO)

- Value of the shutter speed (S, Tv)

- Value of the F-number (A, Av)

- White balance (WB)

Make sure in advance that the enumerated parameters are really available on the camera you want to use while studying these photographic techniques and working on the practical exercises and that the camera allows you to control them. The procedures described in this e-book are definitely not a substitute for the basic user procedures indicated in the basic user manual supplied by the camera manufacturer.

Before you start following the procedures and practising the exercises presented in this e-book, study carefully the basic user manual of your camera.

Before purchasing this e-book, make sure that your camera belongs to the class for which this e-book is intended.

Furthermore, familiarize yourself closely with the disclaimer statement of the authors and the publisher.

If your camera does not meet the above mentioned basic requirements, your user experience does not correspond to the level of knowledge mentioned above, you disagree with a provision in the disclaimer statement of the author and the publisher - do not buy this e-book!

Your request to refund the purchase price which will be based on inconsistencies with the above will not be accepted by the vendor or the publisher.

Disclaimer of the authors and the publisher

The authors and the publisher devoted their maximum possible attention to the fact that the information indicated here corresponds to the current state of knowledge at the time of the preparation of the work for publishing. Although this information was carefully inspected, it is not possible to guarantee with absolute certainty its complete perfection, accuracy and topicality, absence of errors in the description of procedures or errors in the text. For these reasons, the publisher shall not be liable for any damage or other harm, excludes any claims for payment of damages, whether direct, indirect, special, incidental or consequential, that may result to the user from the use of such information. The content of this book is meant for information only. It may change without notification and can not be interpreted as a commitment of the publisher - the ecomVia a.s. company.

Copyrights of third parties

The author's intent was to use no copyrighted material for this e-book or, if this was not possible, to give information about the copyright related to the object in question. If you discover any unidentified object protected by copyright, it means the author was unable to determine this copyright.

Contact the publisher at: info@to-pi-co.com

In the case of such an unintentional copyright infringement the author will remove the object from the publication or, after a notification of this fact, he will at least indicate the details about the relevant copyright.

All trademarks, geographical names or other designations of third parties, or of the products or services of third parties which are mentioned in this e-book, belong to their rightful holders and are used solely to identify the persons concerned or their products or services. They are used only for demonstration purposes and are not intended as a reference or as a binding recommendation of any actual organization or as a recommended use of a product.

Copyrights

© 2013 ecomVia Inc. All rights reserved

Translation: B. BoNo Novosad © 2013.

Author of the book: B. Bono Novosad © 2008

Cover page photo: B. Bono Novosad © 2011

e-Book cover page design: Peter Balík © 2012

e-book interior design: B. BoNo Novosad © 2012

Web design & web production: Martin Novosad © 2011

PDF version: ISBN 978-80-89610-01-3

MOBI version: ISBN 978-80-89610-02-0

Epub version: ISBN 978-80-89610-03-7

Without a prior written consent of the publisher - ecomVia Inc., publishing or redistribution of any part of the text or an image file from this publication or any part of the Website made available is a violation of the copyright law. This book, as well as the techniques described herein, are offered under a license and may be used, rented or copied only under the conditions and within the scope of this license. No part of this book shall be reproduced, stored in a retrieval system and transmitted in any form or by any means - electronic, mechanical, recording or other, without the prior written consent of the copyright executor - the publisher - ecomVia a.s., except as permitted in the license. Please note that the photographs, schemes, pieces of art or paintings contained in this book that you might want to use in your projects, may be protected by copyright. Unauthorized inclusion of any part of such material into your new work could be a violation of the rights of the copyright owner. Please obtain a written authorization for the use of the work from the copyright owner!

Currently granted license allows the purchaser to:

Use this book only for the purpose of personal education.

Symbols used in this book and their meaning

In each of my interpretation, in each of my books I prefer the graphic and visual way of expressing to the complex and extensive text.

In your first book about photography I have also chosen the way of expressing through simple and easy-to-remember symbols.

Basic information

Motto

Warning

Tip

Advice

Control question

Weblink

Information about the distance

Stand close (within a small distance)

Stand at a normal distance (maintain a common distance)

Stand at a long distance

Properties of a lens

Wide-angle lens

Normal lens

Telephoto lens

Changing the parameters, setting the functions

Basic dial

Changing the value of a parameter

Selecting from the menu of the device

TIP 6

Capture the motion in a photograph

The first meeting by the waterfall

Iceland is the land crisscrossed by ferocious rivers. Many of them create wonderful waterfalls. Let’s set out towards one of them. We will visit the Skaftafell National Park. It is home to a wonderful Svartifoss waterfall. It is an excellent object for our tourists' efforts to capture the movement of water in a photo. The water falls from a height of 20 meters. Let's see how they photographed the falling water.

Img. 6-1 - [Canon 300D, EF-S 18-55mm f/3.5-5.6 na 25mm, 1/50s, F4.5, ISO 200 - set by the automatic mode, Author: a tourist]

In their first attempts they relied on the camera's automatic mode. The movement of the falling water captured in the photograph by the automatic mode is not interesting in any way. This is how you can see it also with the naked eye. For a tourist without any photographic knowledge it is a difficult task to capture the movement of the falling water in an interesting way.

I have advised our group of tourists to use a tripod when taking pictures of the falling water.

Img. 6-2 - [Olympus E-520, Zuiko 14mm, 1/60s, F9.0, ISO 400, Author: Zuzana Letková, ASDF (c)2011]

I acquainted them with the effect of the basic photographic parameter - the exposure time - and I advised them what to set on their cameras.

Img. 6-3 - [Canon EOS 5D, Carl Zeiss Flektogon 2,8/20mm, 4.0s, F8.0, ISO 50, filter ND 200, Author: BoNo (c)2011]

Consider yourself whether the motion of the falling water of the Svartifoss waterfall is interesting when captured in this way.

Our tourists were thrilled with their first success when photographing the waterfall. We arranged a next meeting by the waterfall.

The second meeting by the waterfall

Our tourists, encouraged by their first success in taking pictures of the falling water, set out to another waterfall. The glacial river Jökulsá á Fjöllum streams over the Dettifoss waterfall in the Jökulsá canyon from a height of 44 meters. The width of the waterfall is impressive - 100 meters. This waterfall is one of the largest in Iceland.

Img. 6-4 - [Canon EOS 5D, Carl Zeiss Flektogon 2,8/20mm, 1/500s, F6.3, ISO 400, Author: BoNo (c)2011]

Let's take pictures of this beautiful natural phenomenon together.

Img. 6-5 - [Canon 300D, EF-S 18-55mm f/3.5-5.6 na 28mm, 1/125s, F5.6, ISO 100 - set by the automatic mode, Author: a tourist]

When using the automatic mode, the photo of the aggressively falling water will again not engage any attention. I reminded our friends about the advice on the effect of the exposure time when taking pictures of the falling water. Now, however, our intention was different: to capture water as a predatory element.

Img. 6-6 - [Canon EOS 5D, EF 24-105/4 IS L USM na 50mm, 1/4000s, F5.6, ISO 1250, Author: BoNo (c)2011]

With the effect of the exposure time selected in this way we have stopped the movement of water in the photo. The water of Dettifoss has the appearance of a predatory element. Do you agree?

In the last photo we will change the settings of the exposure time so that the falling water has a different appearance in the photo.

Img. 6-7 - [Canon EOS 5D, EF 24-105/4 IS L USM na 50mm, 1.0s, F5.6, ISO 50, filter ND 200, Author: BoNo (c)2011]

With this effect of the exposure time we have added a nostalgic appearance to the falling water.

How to proceed correctly in practice?

Concentrate on the effects of the exposure time. Thus you will capture the movement on a photo exactly according to your intention. This sixth tip will lead you to the next important step on the way to perfect photography.

You must be able to answer correctly the question: What shutter speed should I use?

When teaching through the Total Picture Control method, this question belongs to the basic questions of an educated photographer.

I will teach you everything you need to know about the effects of exposure time in following e-books:

Understanding Tv mode on Canon DSLR - Take control of shutter speed

A photography e-book dedicated to correct setting of exposure time on your Canon DSLR, which will guide you step by step through all aspects of exposure time in the digital photography.

Understanding S mode on Nikon DSLR - Take control of shutter speed

A photography e-book dedicated to correct setting of exposure time on your Nikon DSLR, which will guide you step by step through all aspects of exposure time in the digital photography.

What is Total Picture Control?

Total Picture Control as a teaching method

As a teacher of photography I am constantly faced with the fact that a beginning photographer understands photographing as a question of setting the camera correctly. He/she dedicates all the time and energy to studying of instructions for use, checking the discussion forums on the internet and reading books about photography whose authors have (unfortunately) already forgotten how they learned their individual skills and who describe photographing as something natural, claiming that it is enough to have eyes.

It is very difficult to learn how to take pictures in the right way and to understand this comprehensive ability of a person at once. That's why I have divided the teaching of these comprehensive skills into several simple steps. I have formulated the right procedure to do these steps into 6 simple questions.

I have named this method of teaching the "Total Picture Control". Using this method I have been teaching photographic classes and giving specialized lectures, in which thousands of beginning photographers, irrespective of their gender and age, have taken part.

Now I am offering you the most comprehensive edition of textbooks on photography created by this method:

Total Picture Control is a complete edition of textbooks about photographing.

Under the title Total Picture Control I am offering you a complete edition of textbooks about photography. Such an edition cannot be found in the offer of any other publisher. What makes it so unique?

- The textbooks are classified into levels according to their degree of knowledge - from beginner to master level.

- he individual titles are interlinked within the same level of knowledge according to the discussed topics.

- The titles are also interlinked in the growing level depending on the extent of knowledge.

- The titles are offered individually or grouped into sets – in this way you can get a complete set of knowledge and, of course, for a bargain price!

Educate yourself! Reach to the top of the photographic knowledge - The Total Picture Control is your right way to the top!

www.total-picture-control.com

Table of Contents

Who is this book intended for?

Why should I read this book?

How to learn to take pictures?

The advantages of your first book about photography

About the Author

Acknowledgements

Online appendix to this book

A short online glossary of technical terms

Disclaimer

Copyrights

Symbols used in this book and their meaning

TIP 6 - Capture the motion in a photograph

What is Total Picture Control?